Disclaimer: VLFV uses eBay’s affiliate program and as an eBay Partner, we may be compensated if you make a purchase. Our mission is to keep all content free and accessible, so if you’d like to support what we do, feel free to purchase your lenses via the links in this article, at no additional cost… Continue Reading
Disclaimer: VLFV uses eBay’s affiliate program and as an eBay Partner, we may be compensated if you make a purchase. Our mission is to keep all content free and accessible, so if you’d like to support what we do, feel free to purchase your lenses via the links in this article, at no additional cost… Continue Reading
Disclaimer: VLFV uses eBay’s affiliate program and as an eBay Partner, we may be compensated if you make a purchase. Our mission is to keep all content free and accessible, so if you’d like to support what we do, feel free to purchase your lenses via the links in this article, at no additional cost… Continue Reading
For the last few years the Super16 format has been enjoying a real renaissance, mostly due to the very popular BMPCC and now we also have a good bunch of Super35 cameras with S16 crop modes. Recently Arri Alexa Mini has joined the club, bringing the Super16 format back to the higher end level and… Continue Reading
Once in awhile, I get asked about vintage lenses adaptable to PL mount cameras like Red Epic or Blackmagic URSA Mini (which can be bought with a native PL mount). Unfortunately, the options are limited to Arri Standard/Bayonet and LOMO OCT18 mount lenses with not much else to choose from, at least not without… Continue Reading
You might know how much I love the Helios 44-2, the cult Soviet 58mm F2.0 prime, but a very skilled lens technician, Richard Gale obviously took his love for this lens much further. His DSO FF58 modified Helios 44-2 lens is well known and used by many DOPs, who looking for that magical look you… Continue Reading
A few days ago a test video was posted to VLFV facebook group, which intrigued me so much I decided to make a post about it! The video above, filmed by a fellow vintage lens user Blaise Villars compares 3 very different 35mm lenses, with different mounts, speed, prices, age, type & status. These… Continue Reading
Ever since I got into video/filmmaking, I’ve been dreaming about owning a set of cine lenses, however as you’ll know, they are not exactly affordable, which is partially why I got into vintage lenses as I find them to share a lot of qualities found in cine lenses. Fortunately, the release of BMPCC allowed me… Continue Reading
Kinoptik Tegea 5.7mm F1.8 / T2 is a very unique lens. It’s the widest non-fisheye lens that covers Super16 and while not many people use Super16 film cameras nowadays, this lens is still very usable on a number of modern cameras including BMPCC & Digital Bolex as well as a growing number of cameras with… Continue Reading
A fellow filmmaker & my go to guy when it comes to info on Russian lenses, Tomasz Wolski aka Film Cyfeowy has recently written a wonderful article for the Polish Filammking Magazine “FilmPro” (check out their Website & Facebook). The article is about Illumina MK-II Cine lenses from LOMO, a legendary producer of film cameras… Continue Reading
