Over the last few years, no lens range has courted more controversy in terms of its market and pricing than the Canon FD. Once considered decidedly unglamorous and a poor shooter’s lens set – much like their oft-reviled Cinema Products-rehoused cousins, the K-35s – this range has found new legs with the rise of vintage… Continue Reading
In this exclusive VLFV review, Mark LaFleur of Old Fast Glass takes a closer look at the Canon 8-64mm T2.4 aka The Hurt Locker Lens and explains why this classic super16 zoom can still be a perfect lens for many modern cameras and as the video above proves, a wide range of creative projects too! INTRO Only… Continue Reading
This post is aimed at people shooting with S16 cameras and/or S16 crop modes. A few days ago I’ve met up with Edward from EKOEcamera to test the mighty Angenieux 12-240mm F3.5 that he just finished working on. This post wasn’t suppose to be an in-depth review, but I guess I just have a lot… Continue Reading
Foreword: This post is aimed at people who are just getting into vintage lenses, but maybe even a seasoned vintage lens user will find some useful info here. When it comes to buying lenses, things can get pretty confusing, especially at the start. There are so many brands, models, types, focal lengths, etc and there… Continue Reading
For the last few years the Super16 format has been enjoying a real renaissance, mostly due to the very popular BMPCC and now we also have a good bunch of Super35 cameras with S16 crop modes. Recently Arri Alexa Mini has joined the club, bringing the Super16 format back to the higher end level and… Continue Reading
This website has been in existence (at the time of writing) for well over 3 year, but until now there hasn’t been a single proper mention of any Leica lenses, which is clearly not right because Leica-R Lenses in particular are incredibly popular for video use. I can’t try them all, but thankfully a fellow… Continue Reading
