When we buy lenses, most of us generally try to get the fastest model in every focal length we go with. Like many others I generally believe that the faster lens will give me better performance! My argument is that if I stop down a faster lens by a stop, I will get nicer images that I would out of the equivalent, which is at the same stop wide open (e.g. 50mm F1.4 is better at F1.8 than 50mm F1.8 at F1.8).
But is that always the case? Turns it’s not as you will see in my test below. Let’s take two Canon FD 135mm primes. One is the F2.5 model and other is the F3.5. It’s not surprise that F2.5 model costs much more, therefore one would expect it to be much better than the F3.5 model. The Canon S.C. (breach-lock) 135mm F2.5 is my favorite 135mm primes and it’s worth its price. I’ve used it on a few shoots and it always felt really sharp, even wide open, but turns out the super underrated F3.5 is sharper, even when F2.5 lens is set to F3.5, which should have improved its good performance even more (it does have less CA at F3.5)!
While both lenses look really sharp uncropped (and will look equally sharp in 1080p and maybe even 4k video), when you really crop in the 16mp files (download full res stills here), it’s clear that nFD F3.5 is sharper. It also focuses a bit closer, is more compact, weighs less, cheaper and handles flare in a more subtle way (unless strong flare is what you want).
With F2.5 version in my procession, I was planning to sell the F3.5, but now I’m not even sure if I want to sell my any more. It’s a perfect example when specs don’t necessarily mean anything.
I’ve asked around and this is not an isolated example. There are plenty other examples like these, with one of the most popular being the Contax 50mm F1.7 vs F1.4. Everyone who is familiar with Contax lenses, knows that Planar 50mm F1.7 is sharper that it’s faster brother. I have one of them too and it’s one of the sharpest 50mm lenses I’ve tried, and yet it can be bought for under $200.
Let me know in the comments section below if you have come to similar conclusions with any of your lenses? 🙂
I do my best to make this website a great resource for people interested in vintage lenses for video use, so I hope you’ve enjoyed this & other posts. I hope they will help you save some money on your future lens investments too. I’ve joined the ebay affiliate program to help me run this website, fund my tests & lens giveaways, so if you found this content useful and would like to help me produce more similar content, please use the ebay links in this post if you’re planning to buy one of these lenses or bookmark or use this link if you want to buy anything else on eBay.com or this link if you shop on eBay.co.uk. You will not be spending a penny more using these links, while still helping as eBay will pay out a small percentage from any purchase or successful bid, which in turn will support new content on www.vintagelensesforvideo.com. Thank you.