Using Angenieux 9.5-57mm F1.6-2.2 on BMPCC/S16 | In-depth REVIEW

Using Angenieux 9.5-57mm F1.6-2.2 on BMPCC/S16 | In-depth REVIEW

In this post we continue to look at various lenses for BMPCC (and upcoming Super16 replacements from BlackMagic). Over the last few years I’ve been collecting various 16mm (film format) and Super16 lenses to see what works best and also offers best value for money. Among these, there are plenty of little Angenieux zooms that…

Creating “Selective Focus” & “Miniature” effect | TITL Adapter Review

Creating “Selective Focus” & “Miniature” effect | TITL Adapter Review

Over the last few years I’ve been testing and reviewing all sorts of vintage lenses, rarely touching on a subject of adapters. Eventually I will do an in-depth post about all the adapters I use for vintage lenses, but this time I want to take a closer look at a very unusual adapter, which in…

Tokina RMC 17mm F/3.5 Review + Test Footage

Tokina RMC 17mm F/3.5 Review + Test Footage

As far as vintage wide angle primes go, once you go below 20mm, there aren’t many to choose from at all! Tokina RMC 17mm F3.5 is one of the most affordable ultra wide vintage lenses out there, so if you are on a budget, this is the one you should be taking a closer look…

ISCO WIDE-SCREEN 2000 1.5x Anamorphic Lens | In-Depth Review

ISCO WIDE-SCREEN 2000 1.5x Anamorphic Lens | In-Depth Review

My anamorphic journey started with a “double focusing” Proskar-16 2x setup (REVIEW), followed by “focus through” Century / Optex 1.33x (REVIEW) and now we come to a third type, the ISCO WIDE-SCREEN 2000 1.5x, which a projection lens (same as the Proskar), but benefits from single focusing capabilities of Century/Optex camera attachment lenses. Technically it’s…